Jul. 8th, 2022

snowynight: colourful musical note (Default)
[1] In spring, the dawn — when the slowly paling mountain rim is tinged with red, and wisps of faintly crimson-purple cloud float in the sky.

In summer, the night — moonlit nights, of course, but also at the dark of the moon, it’s beautiful when fireflies are dancing everywhere in a mazy flight. And it’s delightful too to see just one or two fly through the darkness, glowing softly. Rain falling on a summer night is also lovely.

In autumn, the evening — the blazing sun has sunk very close to the mountain rim, and now even the crows, in threes and fours or twos and threes, hurrying to their roost, are a moving sight. Still more enchanting is the sight of a string of wild geese in the distant sky, very tiny. And oh how inexpressible, when the sun has sunk, to hear in the growing darkness the wind, and the song of autumn insects.

In winter, the early morning — if snow is falling, of course, it’s unutterably delightful, but it’s perfect too if there’s a pure white frost, or even just when it’s very cold, and they hasten to build up the fires in the braziers and carry in fresh charcoal. But it’s unpleasant, as the day draws on and the air grows warmer, how the brazier fire dies down to white ash.

From: The Pillow Book by Sei Shōnagon. 

Translation taken from: McKinney, M. (2019, September 2). Translating a classic: The pillow book, by Sei Shônagon. Kyoto Journal.

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